Orlando is Sally Potter's bold, unsentimental re-working of Virginia Woolf's classic novel in which an innocent aristocrat journeys through 400 years of English history - first as a man, then as a woman. The film has won more than twenty international awards and enjoyed considerable box-office success around the world. Addressing contemporary concerns about gender and identity, the screenplay is remarkably true to the spirit of Virginia Woolf. But it also skilfully adapts the original story to give it a striking, cinematic form. How Sally Potter has achieved this is described in the book's Introduction, which outlines the process by which Woolf's novel has been transformed into Potter's film.

Sally Potter has been renowned for her rapport with actors, and for the luminous performances she works with them to produce. Now she strips bare the art and craft of directing actors for the camera, from casting a film to the moment of first screening when the work goes public. A brilliant writer for the screen, here Potter shows herself to be expert at translating the experience of film directing to the page. She addresses us in prose that is both unsentimental and inspired, tracing the energies that pass between actor, director and audience; shaping for the reader the acts of transmission and imagination, performance and witness, the sum of which make up a film. In addition to the core text, the book contains interviews with actors with whom Sally Potter has worked, whose voices will counterpoint Sally Potter's, and will inform and illuminate the reader's sense of her work. Those interviewed include: Julie Christie, Jude Law, Judi Dench, Simon Abkarian, Annette Benning, Timothy Spall, Steve Buscemi, Riz Ahmed, Elle Fanning, Alessandro Nivola, and Lily Cole.

Janet hosts an intimate gathering of friends in her London home to celebrate her political ascension. After her acerbic best friend and others arrive, some with dramatic news to share, an announcement by Janet's husband provokes a series of revelations. As the sophisticated soiree starts to unravel, a night that began with champagne soon ends with arguments, shouting, and a pointed gun.

'John Berger has made the world a better place to live in. These essays tell us how he succeeded in that task.' Arundhati Roy In this collection of essays on the work of, and conversations with, John Berger, thirty-seven of his friends, artistic collaborators and followers come together to form the first truly international and cross-cultural celebration of his interventions. Berger has for decades, through his poetic humanism, brought together geographically, historically and socially disparate subjects. His work continues to throw out lifelines across genres, times and types of experience, opening up radical questions about the meaning of belonging and of community. In keeping with this spirit and in celebration of Berger, the short essays in A Jar of Wild Flowers challenge us all to take the brave step from limited sympathy to extended generosity. With contributions from Ali Smith, Julie Christie, Sally Potter, Ram Rahman, Jean Mohr, Nick Thorpe, Hsiao-Hung Pai and many others.